Are you a radio broadcaster or podcaster searching for broadcast or radio microphones for your studio?

Today...we’ll show you some of the best radio microphones for live broadcasting or speech applications.

Discover a list of some of the most recognized mics, their prices, and specs. See the microphones in action by checking out our recommended YouTube reviews.

Are you new to microphones?

Start with the introductory section that explains terms like frequency response, electret, etc.

With that, let's get started.

Are you new to microphones? Skip to the quick intro.

(Note: prices listed below are subject to change)

This article reviews radio microphones in two parts:

  • Budget mics: These are low-investment mics for podcasters and internet radio broadcasters. They might not give you the best possible sound, but they do the task at hand.
  • Expert mics: Looking for a capable microphone for broadcast? Check out the products in this section. They might be more pricey but come highly recommended by professional broadcasters. And you'll find them in professional setups.

Table of Contents:

Part 1: Professional Radio Microphones for Broadcasters

  1. Austrian Audio OC818

  2. Neumann U87

  3. Audio Technical AT4050

  4. Heil Sound PR-40

  5. Rode NT1 Microphone

  6. Audio-Technica AT2035

  7. Electro-Voice RE20

  8. Electro-Voice RE27 N/D

  9. Neumann TLM 103

  10. Shure SM7B

  11. Electro-Voice RE320

  12. Neumann TLM 102

  13. RØDE Podcaster USB

Part 2: Budget Radio Microphones for podcasters & broadcasters

  1. Blue Yeti Blackout -USB

  2. Samson Meteor Mic -USB

  3. Blue Snowball (Brushed Aluminum) -USB

  4. Audio-Technica AT2020USB+

  5. MXL 770 -XLR

  6. Behringer B-1 -XLR

Types of broadcast microphones

Microphone accessories:

Part 1: Professional Radio Microphones for Broadcasters

1. Austrian Audio OC818


Frequency range: 20- 20 kHz

Figure-8, super-cardioid, cardioid & omnidirectional

Max SPL: 148 dB SPL

Requires Phantom Power 48V

Estimated Price: $1,099

Connector: XLR

Austrian Audio OC818


One of the most beautiful engineered items to come from Austria is the OC818 —it's also the most unique looking large-diaphragm dynamic mic on our list. Broadcasters love for the OC818 for its low-self noise, multiple polar patterns, three-settings pass filter, and more great features. It has stood out as the NAMM 2020 Editor's Choice and the SOS Editor's Choice For Gear of the Year 2019.

Standout features

  • CKR12 ceramic capsule that's handmade in Vienna
  • Programmable polar patterns figure-8, super-cardioid, cardioid & omnidirectional
  • Two analog high-pass filters with three settings. Two pads -10 dB, -20 dB
  • Has an optional Bluetooth remote and PolarPilot phone app

Our Recommend YouTube Reviews & Comparisons

Austrian Audio OC818 Review / Test (C414 XLII, XLS, TLM103, U87 Ai Comparison)

Is this “the everything” mic? | Austrian Audio OC818 (Review & Giveaway)

Austrian Audio microphones tested on a Piano Recording session by Kevan Gallagher

Metropolis Studios' Senior Engineer, Paul Norris tests the Austrian Audio OC818 microphone

OC818 product page

Learn more about the mic on its product page:

2. Neumann U87


Frequency Response: 20 - 20 kHz

Patterns: Omnidirectional, cardioid, and figure-8


Maximum SPL: 127 dB

10 dB attenuation switch

Estimated Price: $3200


Neumann U87


With a history spanning over 50 years, the Neumann U87 has been a long-standing giant in the recording and broadcasting world! It's a high-end microphone with a price to match. It delivers quality vocals by capturing rich details.

As a priced possession, many people also loved to acquire used Neumann U87s. It doesn't get better than this mic. Neumann also keeps revamping its circuitry on new product alterations. The latest update, the Rhodium, was limited to 500 units produced worldwide.

Standout features

  • Hand-crafted to exact precision
  • Low self-noise
  • Switchable three polar patterns with omnidirectional, figure-8, and cardioid.
  • Dual diaphragm condenser capsule

Our Recommend YouTube Reviews & Comparisons

Neumann U87 Ai Mic Review / Test (Compared to NW700, AT2020, NT1, SM7b, KSM44a, C414 XLII)

Warm Audio WA-87 Mic Review / Test (Comparison to U87 Ai)

Best Large Diaphragm Condenser Microphone for recording vocals? Rode NT1A vs Neumann U87AI

Neumann U47fet vs U87 ai, M147 and TLM67 Microphone Comparison & Review

Neumann U 87 Ai product page

Learn more about this standard vocal and speech microphone from its product page:

3. Audio Technical AT4050


Frequency Response: 20-18,000 Hz

Maximum SPL: 149dB

Three polar patterns

Condenser, +48V Phantom Power

Estimated Price: $799

Connector: 3-XLR

Audio Technical AT4050


Despite being a studio condenser microphone, the AT4050 has been used as a broadcast microphone for several decades. It's built with extra precision and rugged durability. Its diverse application areas include live vocals and instrumental sounds.

The omnidirectional pattern makes it ideal for interview situations where you only have one mic to record opposite facing speakers. The AT4050 also holds its water against more expensive options.

Standout features

  • It has multiple patterns: figure-8, cardioid, and omnidirectional
  • Dual diaphragm capsule configuration with a 2-micron thick vapor-deposited gold diaphragms
  • 90 Hz hi-pass filter and 10 dB pad
  • Transformerless power supply circuit that reduces low-frequency distortion

Our Recommend YouTube Reviews & Comparisons

Audio Technica AT4050 Review [with Demo]

Neumann U87 vs AT4050 Mic Shootout

Audio Technica AT4050SM Condenser Microphone Unboxing

Studio Microphones: AKG c414XLS vs. AUDIO TECHNICA AT4050 - LOOK INTO

AT4050 product page

The mic is still in production, and you can access it from many online stores. You also have the option of finding stores close to you and checking out if they sell this popular mic or other products from the 4000's series. For more updates, you can check out the product page here:

4. Heil Sound PR-40


Frequency Response: 28 to 18kHz

Maximum SPL: 148 dB

Dynamic, Cardioid

Colors: Gold, Chrome, or Black

Estimated Price: $329

Connector: XLR

Heil Sound PR-40


Taunted as a "thorough pure-bred workhorse," the Heil PR-40 is a multi-purpose mic suited for radio broadcasting and recording instrument sounds from bass drums, guitars, etc. Dual mesh screens (an outer screen and inner screen) help reduce plosives. The mic also promises to deliver a flat response for all human voice ranges. With multiple styles, you can also express your taste. It's also assembled in Illinois, USA.

Standout features

  • Dual screens to reduce plosives.
  • Internal breath blast filter fitted on the diaphragm element
  • Unconventional large aluminum diaphragm of "1 1/2" for crisper sound,
  • Low handling noise

Our Recommend YouTube Reviews & Comparisons

Heil PR40 vs. Blue Snowball | VO Mic Comparison

Heil PR-40 Dynamic Mic Review / Test

The Heil PR40 is a LEGENDARY disappointment...

Heil PR-40 vs Heil PR-781 Mic Comparison

Heil PR-40 product page

Stay up to date with the product updates on the official Heil PR-40 product page here:

There are a wide range of sites that offer the mic including Amazon, BH Photo Video, BSW USA, Thonnann UK, Music Friends, and more.

5. Rode NT1 Microphone


Frequency Response: 20-20,000 Hz

Maximum SPL: 132dB

Estimated Price: $269

Condenser, Cardioid

Color: Black

Connector: XLR

Phantom Power: Required

Rode NT1


The secret to the great sound recorded by the Rode Nt1 is its large 1" capsule that's gold plated. Its boasts of a low self-noise of just 4 dB (A). Users get an extended warranty of 10 years upon registering their microphone at the manufacturer's site. It's well protected against scratches with its military-grade ceramic coating.

Standout features

  • Designed and made in Australia with 10-year warranty
  • 1.00" capsule
  • Pressure gradient acoustic principle & low self-noise
  • Comes with a high-quality RODE SMR shock mount and 20" mic cable

Our Recommend NT1-A YouTube Reviews & Comparisons

Podcastage: Rode NT1 vs Rode NT1a Comparison (Versus Series):

Rode NT1 Condenser Microphone Review

RØDE NT1 Kit Test & Unboxing | Best Home Studio Microphone

RODE NT1 review (with comparison to the NT1-a)

Rode NT1-A product page

Well, start out by checking the product page for on-going product updates:

You can buy the mic from various audio gear stores online or in-person. You may also check out links posted by reviewers for all the gear they use in their videos!

6. Audio-Technica AT2035


Frequency Response: 20-20,000 Hz

Noise level: 12 dB SPL

Estimated Price: $149

Condenser Cardioid

Impedance: 120 ohms

Color: Black

Connector: 3 Pin XLR

Phantom Power: Required

Audio-Technica AT2035


Competitively priced, the AT2035 strives to be the perfect mic for podcasters, broadcasters, streamers, and other content creators. It captures smooth and natural sound. Buyers receive an accompanying shock mount with every purchase.

Standout features

  • Two switchable filters, 10 dB pad and 80 Hz high-pass, roll-off
  • Fixed charged backplate
  • Low mic noise of 12 dB SPL
  • Rugged and neat construction

Our Recommend AT2035 YouTube Reviews & Comparisons

Audio Technica AT2035 XLR Condenser Mic Review / Test

Don't buy an AT2035 until you watch this video!

Setting Up Audio-Technica AT2035 w/ Focusrite Scarlett Solo 2nd Gen Preamp

Awesomist Reviews: Audio Technica AT2035 Microphone

AT2035 product page

Since it is still in production, there are various stores that sell the AT2035, and finding it should not be a hassle. It's well priced, which aids in its availability. You can always check the links posted on various review videos. For used options, you can explore sites like Amazon, Sweetwater, eBay (for used), etc.

Stay updated with product news and updates on the official AT2035 product page:

7. Electro-Voice RE20


Frequency Response: 45 Hz - 18,000 Hz

Sensitivity: 1.5 mV/Pa

Estimated Price: $449.00

Dynamic: Cardioid

Phantom Power: Not Required

Color: Fawn beige

Connector: 3 Pin XLR

Electro-Voice Re20


Paired with a decent price, the Electro-Voice RE20 is a favorite in many radio broadcast studios. Podcasters have come to love the mic too. If you like the refined and rich sound of FM station presenters, the Re20 is the mic to thank.

Standout features

  • Internal element shock mount.
  • Comes with a bass roll-off switch
  • The frequency response of 45 Hz-18 kHz that's suited to speech & vocals
  • Equipped with a large dynamic element

Our Recommend YouTube Reviews

Electro Voice RE-20 Broadcast Dynamic Mic Review / Test

BEST VOICEOVER MIC? | Electro-Voice RE20 Microphone Review

Shure SM7b vs. Electro Voice RE20 Comparison (Versus Series)

Electrovoice RE20 unboxing ultimate ESSB microphone for ham radio

Electro-Voice RE20 product page

Learn more about the RE20 on its official product page:

Many stores are currently selling the ElectroVoice RE20. Although the manufacturer doesn't sell it directly, you can use their page to find authorized dealers in your area.

You can also save by buying it used. For accompanying gear that may have been used in reviews, check the descriptions on the videos, and support your favorite reviewers.

8. Electro-Voice RE27 N/D


Frequency Response: 45 - 20,000 Hz

Sensitivity: 1.5 mV/Pa

Price: Estimated $499.00

Condenser: Dynamic, Cardioid

Phantom Power: Not Required

Color: Satin Nickel

Electro-Voice Re27


The biggest selling feature of the RE27 N/D is the neodymium capsule, which gives the mic more sensitivity. It's another favorite of broadcast studios. Its broad frequency response also makes it suitable for recording instruments. Users can expect a comparable performance to a more tailored studio condenser mic.

Standout features

  • More sensitivity brought by the neodymium capsule
  • Three filter switches
  • Versatile workhorse for podcasters alike
  • Specially tuned to record vocals

Our Recommend YouTube Reviews

ElectroVoice (EV) RE27 N/D Review

Electro Voice RE27 N/D Broadcast Dynamic Mic Review / Test

Electro Voice RE320 vs RE20 vs RE27 N/D Comparison (Versus Series)

RE20 vs RE27ND -TheEVMicGuy

ElectroVoice Re27 product page

The ElectroVoice RE27 N/D is still in production, and there are many places to find it. Starting out you can check the official product page for recommend distributors based on your region:

9. Neumann TLM 103


Frequency Response: 20 – 20,000 Hz

Max SPL: 137dB

Price: $1,299.95

Condenser: Cardioid

Phantom Power: 48V

Color: Satin Nickel and matte black

Connector: XLR

Neumann TLM 103

If you’re looking for a high-end radio microphone with great warm vocals, consider the Neumann TLM 103.

It’s used in commercial radio stations and production studios.

So, what’s great about it?

Acoustically balanced

It has a large diaphragm with an acoustically well-balanced cardioid capsule, drawn from the hugely popular Neumann U87 mic with a listing price of about $3,000.

Extremely low noise 7dB

Thanks to its ultra low-noise transformerless circuit, the mic has a minimal low self-noise of only 7 dB.

It can capture faint sounds making it suited for recording acoustic instruments and audio drama productions.

Presence Boost

The microphone has a wide frequency response.

But from 6 to 15 kilohertz, there is a flat 4 dB presence boost, which will make your voice crisp and very intelligible.

Large wire mesh

The large wire mesh headgrille helps eliminate plosive sounds.

And what accessories do you get?

  • An aluminum briefcase
  • Shock mount

So, you may also need a mic stand or boom arm.

Overall, if you’re looking for one of the best high-end radio microphones made by one of the most reputable manufacturer, you may go with this mic.

If the price is a little steep, but you still want a Neumann, you can choose the Neumann TLM 102 MT condenser mic for about $700.

Our Recommend YouTube Reviews

TLM 103 vs U87 in 3 minutes

Neumann TLM 103 Review Test - Mike Russell

Neumann TLM 103 Review Test - Podcastage

MIC Shootout: Shure KSM32 vs Neumann TLM103

Neumann TLM 103 product page

Explore other great features of the TLM 103 by checking out the product page: If you're looking for stores that sell the TLM 103, you'll find plenty of options for both used and new.

10. Shure SM7B


Frequency Response: 50 – 20,000 Hz

Max SPL – 180 dB

Estimated Price: $399

Type: Dynamic, Cardioid

Phantom Power: No

Connector: XLR

Shure SM7B


The Shure SM7B microphone is one of the most popular microphones for radio studios.

Straightaway, let me mention that it does not require externally supplied phantom power. And it's not be affected by its presence.

However, it has a low output level of -59.0 dB. You need to boost it by +60 dB to use it as a line input.

So, what’s great about the SM7B?

Flat, smooth frequency response

The SM7B has a flat, smooth frequency response (50-20,000 Hz), which makes it sensitive to a wide range of frequencies.

It’s recommended for close-talk speech, vocals and recording guitar/bass amps.

Rejects electromagnetic interference

You don’t have to worry about placing the mic near your computer.

It can reject electromagnetic interference emitted by electronic devices such as computer monitors.

Internal shock isolation

The internal shock isolation helps eliminate noise transmitted mechanically to the diaphragm.

You may not need to buy an external shock mount.

Bass roll-off and presence boost

The SM7B also has two switches; the bass roll-off and presence boost (mid-range emphasis) switch.

What about the extras?

Currently, the Shure SM7B is shipping with:

  • Foam shield
  • Close-talk windscreen
  • Locking yoke mount

What else do you need to connect it to your computer?

If you’re thinking about purchasing this mic, don’t expect to plug it into your computer and you’re good to go.

It's an XLR mic with an analog output, which is very low at -59 dB.

You require an additional gain of +60 DB. You need a mixer that can provide this gain.

Most people pair it with the Cloudlifter CL-1 — an inline “pre-amp” that provides a gain of 20 DB:

—and the Focusrite Scarlett 2i2.

The Focusrite Scarlett 2i2 an audio interface with an inbuilt pre-amp that provides an additional gain of +55 dB and converts the signal to USB.

Our Recommend YouTube Reviews

Shure SM7B Mic Review / Test

PREMIUM PODCAST SOUND - Shure SM7b Review - Dynamic Cardioid Microphone

Shure SM7B Dynamic Microphone Gets A Dynamic Demonstration

Shure SM7B Dynamic Vocal Microphone Review

SM7B Product Page

You can learn more about the SM7B from its product page:

11. Electro-Voice RE320


Frequency Response: 30 – 18,000 Hz

Max SPL – 137 dB

Price: $289

Type: Dynamic, Cardioid

Phantom Power: No

Color: Semi-gloss black

Connector: XLR

Electro-Voice RE320

You're sure to find this ruggedly built mic in a lot of commercial radio stations.

It's one of the most liked radio microphones. So, what’s great about it?

Near-perfect build quality

It's built to last with an all-metal body.

EQ switch for kick drum and general use

You get a filter switch that allows you to switch from the general frequency response (45 – 18,000 Hz) to the kick curve response ( 30 – 18,000 Hz).

This feature gives the mic a dual-personality nature, which is like having two mics in one.

Integral pop filter

The mic also delivers high-quality noiseless sound thanks to its integral pop filters.

It also picks up less background noise, making it suitable for live studio sessions or in environments with background noise.

Perfect for live broadcasting

Finally, it’s perfect for live broadcasting since you won’t need to apply post-processing to removed unwanted background noise.

Accessories included:

  • Semi-hard shell carrying case.
  • Microphone mount
  • A 5/8 to 3/8 stand adapter

The mic does an excellent job of minimizing plosives. So, you may not necessarily require a pop filter.

But, you may need a shock mount, mic stand, windscreen, and an audio interface or mixer with USB output.

Our Recommend YouTube Reviews

Electro Voice Microphone Review for Podcasters | RE20, RE320, RE27N/D

Electro-Voice RE320 vs Shure SM7B vs Heil PR40

Electro Voice RE- 320 vs. Rode Procaster Comparison (Versus Series)

ElectroVoice RE320 Dynamic "Radio" Microphone Review And Test

Electro-Voice RE320 product page

You can learn more about the Electro-Voice RE320 on its product page:

12. Neumann TLM 102


Frequency Response: 20Hz to 20kHz.

Max SPL: 144 dB

Price: $699

Type: Condenser, Cardioid

Phantom Power: Yes

Color: Matte Black Finish and Nickel

Connector: XLR

Neumann TLM 102


When you finally hold the TLM 102, its relatively small size will be readily apparent. But it's powerful like its more expensive siblings. It delivers balanced vocals and captures details accurately. You can also use it with instruments, including drums. You'll be hard-pressed to find another Neumann made with German precision at this price range.

Standout features

  • Low self-noise of 12 dB-A
  • Large-diaphragm capsule design
  • Transformerless output stage allowing it to handle strong bass
  • Slight presence boost from 6kHz for enhanced vocals making it suitable for broadcast

Our Recommend YouTube Reviews

Neumann TLM 102 vs Rode NT1a Condenser Mic Comparison

Neumann TLM 102

Neumann TLM-102 Mic Review and Comparison

Unboxing of Neumann TLM 102 studio set

Neumann TLM 102 product page

You can find more information and specs on the TLM 102 at the product page:

13. RØDE Podcaster USB


Frequency Response: 40Hz – 14,000 Hz

Max SPL: 115dB

Price: $229

Type: Dynamic, Cardioid


RØDE Podcaster

It’s a highly-rated USB powered microphone.

And talking about trust; the Rode Podcaster comes with a 1-year warranty.

When you register it, you get an extended 10-year warranty.

Now, don’t confuse the Podcaster with the Rode Procaster. Though they are priced at $229, they have different features.

So, what’s great about the Podcaster?

An internal pop filter

The mic has your plosives covered with its internal pop filter.

Headphone jack

You can plug in your headphones on the Podcaster and monitor your vocals with zero latency.

What accessories do you get?

  • RØDE RM2 Ring, which you can use when mounting the microphone on a stand.
  • USB Cable (3 meters or 10 feet).

What else will you need?

You’ll need a boom arm, shock mount, and an external pop filter to complement the internal pop filter.

Our Recommend YouTube Reviews

RØDE Podcaster USB Microphone Review / Test (is this USB mic podcast quality?)

Rode Podcaster vs. Rode Procaster Comparison (Versus Series)

Best USB Mic for YouTube — Rode Podcaster Vs. Rode NT-USB Microphone

Rode Podcaster USB Microphone - Unboxing

RØDE Podcaster product page

The RODE PodMic is not the RODE Podcaster. You can learn more about the microphone here:

Part 2: Budget Radio Microphones for podcasters & broadcasters

14. Blue Yeti Blackout -USB


Frequency Response: 20Hz – 20,000 Hz

Cardioid, Omnidirectional, Figure-8 and Stereo

Max SPL: 120dB

Price: $128.86

Type: Condenser with 3 capsules

Colors: 12

Blue Yeti Blackout

The Blue Yeti microphone is one of the best-selling USB microphones—very popular with podcasters.

It has been hailed for its sound quality, affordable price, and a wide array of features. Now...

Let's talk about its outstanding features:

Tri-capsule technology

The Blue Yeti has three capsules & four recording modes:

And this is really great!

The cardioid mode captures sound from the front. It's ideal for podcasting, voice-overs, game streaming, and recording instruments.

The stereo mode records sound with the right and left channels. You don't have to use two mono mics to pull of stereo recording.

The omnidirectional mode picks up sound from all directions. How can you use this mode?

You can use it to interview someone or record sound from a live call. The mode also gives your sound ambiance or the feeling of being there.

The bidirectional mode has a pickup pattern that resembles the number 8. You use this mode to capture sound from the front and back.

And it's great for a two-person interview.

Headphone jack with volume control

During a live broadcast, you may want to monitor your voice.

On the Blue Yeti, you can plug in your headphones in the 3.5-millimeter jack and hear your live recording without delays.

You can also adjust the headphone’s volume.

Gain adjustment knob

You get a gain control to adjust the mic's sensitivity. For instance...

If you're picking up a lot of background noise, you can correct this by turning down the sensitivity gain.

However, if the gain is completely turned down, it will mute the speaker. As you lower the gain, speak closer to the mic.

Adjustable desktop stand

You don’t have to buy a boom arm for your Blue Yeti. It comes with an adjustable desktop stand.

But, remember not use the Yeti as a front-address mic.

It’s meant to be used as a side-address microphone. (the mic's top should point at the ceiling)

Will I need a boom arm and pop filter?

While the Blue Yeti has a desk stand, it may not position the mic in front of your mouth.

It's short—and if you have a low desk, you might have to stack the Yetti on some books to get the desired height. So...

A boom arm will really help in the placement. And a pop filter is also necessary.

15. Samson Meteor Mic -USB


Frequency Response: 20 – 20,000 Hz

Sample rate: 16-bit, 44.1/48kHz

Price: $54.92

Type: Condenser, Cardioid

Colors: Chrome, Titanium Black, Brushed Nickel

Samson Technologies was the first company to produce USB microphones that were used by musicians from 2005.

The Samson Meteor Mic, released in 2011 as a computer microphone, has a large diaphragm of (25 mm).

I didn’t explain this earlier, but large-diaphragm mics are great for recording vocals.

On the other hand, a small diaphragm mic is suitable for acoustic instruments like guitars.

So, what’s great about the Samson Meteor Mic?

Headphone jack

You get a headphone jack with a volume knob for zero-latency monitoring.

Your recording will be of high-quality thanks to its large diaphragm and resolution of 16-bit/44.1/48, which is considered CD quality.

Mac and Windows Compatible

You don’t need special drivers to get it working with your computer.

What’s more, you can use it with your iPad by connecting it through a lightning to USB camera adapter.

Fold-back legs

Instead of a stand, the Meteor has three, fold-back legs.

And they have rubber feet for extra grip.

Included accessories

You get a USB cable and carry pouch. The Samson Sound Deck Noise Cancellation Software is available as a paid download.

16. Blue Snowball (Brushed Aluminum) -USB


Frequency Response: 40Hz – 18,000 Hz

Max SPL: 115dB


Type: Condenser, Cardioid & omnidirectional

Colors: 5


The Snowball USB microphone is made by the same company (Blue Designs) that makes the Blue Yeti microphone.

Straightaway —you’ll notice the disparity in the price and features in these two mics.

The Blue Snowball costs about $60 less. But it's not the cheapest:

If you want to cut costs further, the Snowball Ice mic retails for about $39.

It looks like the Blue Snowball Microphone only that it has one capsule, lacks the omnidirectional pickup pattern, and comes in two colors (white and black).

So, what’s great about the Snowball mic?

Two pickup patterns

You can use the cardioid mode for your vocals.

And the omnidirectional mode for 360-degree audio recording.


You won’t need additional drivers. You just plug it in your Mac or Windows computer.

And use it with your radio automation software or sound recording software.

Two-year warranty

The Snowball mic has a two-year warranty. So, you know you’re getting a product trusted by the manufacturer.

Adjustable stand

Similar to the Yeti series, the Snowball mic has a stand you can use on your desk.

-10 dB PAD

You get a -10 dB attenuation switch for varying the mic’s sensitivity to loud sounds.

This switch allows you to prevent the internal circuit from overloading.

What else do you need?

If you don’t want to break the bank, this microphone is for you.

However, you may also need a pop filter, shock mount, and a boom arm.

How much with the extras cost?

A bundle of the Blue Snowball Microphone with the Dragonpad Pop Filter costs $76.82.

The Ringer Shock Mount made for the Snowball microphone goes for $54.

17. Audio-Technica AT2020USB+


Frequency Response: 20 – 20,000 Hz

Max SPL: 115dB

Price: $149

Type: Condenser, Cardioid

Colors: Black & White

The AT-2020 USB+ is a sturdy mic noted for its high-quality sound. It also packs some nice features and accessories:

Headphone jack with volume control

You can plug in your headphones and monitor your recording with no delays.

Mix control (hot feature)

Mix control is a fascinating feature!

Remember, I told you that you can plug in your headphones.

Mix control allows you to monitor sound playing on your computer using the headphones jack.

This is great if you have an instrumental track playing on your computer and you’re recording vocals over it.

What’s more, you can use the mix control dial to vary the sound going to the headphones mix from the two sources.

What accessories do you get?

  • 10 foot or 3 meters USB cable
  • Tripod desk stand
  • Pouch

Suggested additions:

You may need a boom arm and a pop filter.

What will a professional setup cost?

If you get the NEEWER Adjustable Microphone Suspension Boom for $12.50...and the Aokeo Professional Microphone Pop Filter for $6.99, your total cost will be $168.49.

18. MXL 770 -XLR


Frequency Response: 30 – 20,000 Hz

Max SPL: 137dB

Price: $74.35

Type: Condenser, Cardioid

Phantom Power: 48V (+/- 4V)

Color: Black

The MXL 770 is a multi-purpose, small-diaphragm microphone that’s suitable voice-work and recording string and acoustic instruments.

It’s also one of the best entry-level professional microphones under $100.

So, what makes it great?

Excellent build

The MXL 770 has a black metal finish with a black grille.

Rugged carrying case

You get a robust carrying case for storing your microphone.

The case useful if you travel a lot. And it’s certainly better than a porch.

High-isolation shock mount:

It has an external shock mount, eliminating the need to acquire one afterward.

The shock mount and mic both fit in the carrying case, which is also very convenient.

Low-frequency roll-off and -10 dB re attenuation switch

The mic has a roll-off attenuation switch that reduces unwanted rumble or low-frequency sounds.

And the -10 dB switch will be useful for decreasing the sensitivity of the condenser mic when recording loud noises.

Perfect for live broadcasting

Finally, it’s ideal for live broadcasting since you won’t need to apply post-processing to removed unwanted background noise.

Will I need an audio interface?

Off-course, you’ll need an audio interface or a mixer since it requires a voltage of 48V plus or minus 4 volts. You’ll also need a boom arm and pop filter.

19. Behringer B-1 -XLR


Frequency Response: 20 – 20,000 Hz

Max SPL – 138 dB

Price: $99.99

Type: Condenser, Cardioid

Phantom Power: 48V

Color: Satin Nickel

The B-1 is a large-diaphragm—which despite its price—records crisp & crystal clear sound.

It has all the bells and whistles of pricier microphones.

So, what’s great about it?

Large gold-sputtered diaphragm

The large-diaphragm allows the mic to record realistic sounds.

It also has a gold-plated XLR output that protects the integrity of the sound signal.

Low frequency roll-off & -10 dB pad switches

The B-1 has a switchable 75 Hz low-pass filter, which allows you to isolate undesired low-frequency sounds like rumbles from the floor.

To handle sounds with high Signal Pressure Loads (SPL) without overloading the circuit, the B-1 features a selectable -10 dB attenuation pad.

If you switch it on, it will drop the sensitivity of the audio circuit, in turn, preventing an overload.

Heavy duty

You'll be using this mic for years thanks to its rugged construction and robust nickel-plated brass body.

What about the extras?

  • Shock mount
  • Windscreen
  • Aluminum storage case

What else will you need?

The B-1 doesn't have an XLR cable and stand. So, you need a boom arm and an audio interface or mixer to provide phantom power.

Types of broadcast microphones

Dynamic mics

  • Less sensitive to loud sounds
  • Have numerous uses such as recording vocals, stage sound, presentations, speech, loud instrument sounds from drums, bass guitars, guitar amps, toms, or banjos...

How do dynamic mics work?

Inside a dynamic microphone’s capsule, there is a coil wound around a magnet.

This coil is attached to a diaphragm (a thin flat membrane).

When sound waves strike the diaphragm, it vibrates causing the coil to move back and forth along the magnet.

Magnetic induction creates an analog signal.

This signal travels through the microphone cable to the pre-amp which boosts it to line level.

If the audio interface or mixer has a USB output, it will convert the analog signal to a digital signal.

Why would you get a dynamic mic?

  • Cost less than condenser microphones
  • Rugged and durable
  • Don’t require an external source of power (phantom power)
  • Pick up less background noise

Condenser mics

  • More sensitive than dynamic microphones.
  • Capture sound with extra details and airiness.
  • Preferred for recording studios.

How do condenser mics work?

Condenser mics have two plates; a lightweight polymer membrane and a fixed plate.

A constant voltage of 48V is applied over the plates to create an electric field.

Positive charges collect on the fixed plate, and negative charges accumulate on the diaphragm.

When sound waves strike the diaphragm, it vibrates, and this changes the balance of the charges or capacitance.

Sometimes condenser mics are also called capacitor microphones, particularly in Britain.

This is because the internal setup resembles that of a capacitor.

There are two types of condenser mics:

a) Externally polarized/discrete/ true condenser mics:


I’ve said that condenser mics need a constant voltage. Where does the power come from?

Externally-polarized mics get their electric power through the mic cable that's plugged into an audio interface or mixer.

Since the power travels with the same cable used for transmitting the audio signal, it’s called phantom power.

b) Electret/pre-polarized condenser mics:

The polarizing voltage is impressed on the mic by constructing the backplate or diaphragm out of a permanently charged dielectric material.

This power lasts for mic's lifetime.

Reasons to get a condenser mic:

  • High-quality sound
  • Capture more details
  • Gives sound airiness and realism

Ribbon mics

  • Most natural-sounding microphones in the world.
  • Very popular mics during the old-time era of radio (1930s- 50s.)

How do ribbon mics operate?

Formerly....ribbon mics had two magnets and a very thin aluminum sheet (metal element) suspended in the strong magnetic field.

However, this thin ribbon was prone to breaking and bending.

Dynamic and condenser mics became successful and widely adopted due to these limitations.

But advancements in nanomaterial design over the last decade have resulted in newer and sturdier ribbon mics.

In the past, a sound engineer wouldn’t expose a ribbon mic to phantom power. Current ribbon mics use phantom power.

Still, they need careful handling, and they can be quite pricey.

Why would you get a ribbon mic?

  • Bidirectional/figure 8 pickup pattern
  • Record natural sound
USB mics vs Mics with XLR cabling

Mics with XLR cabling out put an analog signal.

Analog mics need more equipment to perform amplification and conversion. On the other hand...

USB mics have the same components as traditional mics —but with two extra circuits:

  • Analog to digital converter
  • Pre-amp circuit

So—you can plug a USB mic into the USB port of your computer and start using it immediately. But...

Analog mics have to plugged into mixers or audio interfaces.

Next, let’s tackle some sound jargon:


Frequency is how frequent sound waves pass a particular point. It’s measured in Hertz.

One vibration per second is equal to 1 Hertz.


It is how high or low a tone is. For example, an opera singer has a high pitch.

Did you know that the human ear can hear frequencies from 20 Hz to 20,000 Hz?


It’s the unit used to measure the degree of loudness or the intensity of sound. The sound of a human voice is normally at 60 decibels.

Frequency response

Have you ever noticed that some mics are marketed for vocals others for instruments like bass drums?

It has to with the microphone’s frequency response.

Basically, the frequency response of a microphone tells you how it will respond to different frequencies.

To get the true picture, let’s look at the audio spectrum. | Frequency Range | Frequency Values | |--|--| | Sub-bass |20 to 60 Hz | |Bass |60 to 250 Hz | |Lower mid-range |250 to 500 Hz | |Mid-range |500 Hz to 2 kHz | |Upper mid-range | 2 to 4 kHz | | Presence | 4 to 6 kHz | | Brilliance | 6 to 16 kHz | | Delicate | 15 to 20 kHz | Mics can have two types of responses:

A flat response:

This means the microphone will be sensitive to all frequency ranges.

When you plot a graph of response in decibels (y-axis) against frequency in hertz (x-axis) for a flat response microphone, it will be a flat line.

A shaped response:

Such a microphone will be selective at certain frequencies. The shape of its response curve will have peaks and valleys.

For instance:

A microphone optimized for vocals may have a presence boost from 3000 Hz to 6000 Hz.

Sound recorded at these frequencies will sound crisper and have a certain airiness or presence.

Typically, most mics have a rise in sensitivity between 3,000 Hz to 6,000 Hz. This is called a presence rise.


It’s an audio distortion that occurs when a signal becomes too loud.

Think of sound as a wave or an inverted S. When clipping occurs, the sound wave looks like someone cut the tops and bottoms with a pair of scissors.

Thus, the name clipping.

Microphone accessories:

Boom Arm

It’s an arm-shaped stand made of metal or PVC tubes with movable arms.

Will I need one?

Yes, as it helps with the mic placement.

-RODE PSA1 Swivel Mount Studio Microphone Boom Arm

Shock Mount

It’s an elastic suspension that protects your microphone from mechanically transmitted noise when it’s mounted on a stand or boom arm.

Vibrations arise from the floor –(more from wooden floors than concrete floors) – from your desk or as you handle the equipment.

-Samson SP01 Spider Shockmount

Pop Filter

Vocal pops occur as you forcefully emphasize ‘B’ and ‘P’ words. Try saying bomb, pop, or pickle.

These sounds are also called plosives. To minimize them, you'll need a pop filter. So...

It is merely a mesh made of nylon or metal.

How does it work?

It breaks up fast-moving sound particles before they hit the diaphragm.

-Aokeo Professional Microphone Pop Filter

Foam Windshield

Foam windshields are placed over the microphone. They are used to block plosive sounds, wind, and dust.

Now, let’s look at some of the best microphones for broadcasters:

Mudder Large Foam Mic Windscreen.

If you're looking to add more equipment to your station, see some of the gear you may need.

That's all for today!

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